Post-War European Films and the Concept of Auteur Essay

Post-War European Films and the Concept of Auteur - Essay Example The essay "Post-War European Films and the Concept of Auteur" describes the concept of the 'auteur', especially in the context of post-war European cinema, from the films of the Spanish director Almodovar. The paper also focuses on the different themes that can be found in the works of Almodovar, in order to explain why the 'auteur' is now an important part of contemporary European cinema. There have been a lot of developments in European cinema since the Second World War ended. Some of the filmmakers in Europe actually experimented with new ideas and concepts on how to make films, as well as on the very technique and purpose of filmmaking in itself. Some filmmakers experimented on social realism, while some also experimented in making magical realist, existentialist, psychological, and symbolic films. However, there is one particular development on post-war filmmaking in Europe that has caught the attention of the researcher, and this is the concept of 'auteur'. In fact, many popular European filmmakers are actually categorized by scholars of film studies as an example of an auteur, and one of the most famous is the Spanish director and filmmaker Pedro Almodovar, the director of the films â€Å"Matador,† â€Å"Hable con Ella,† and â€Å"Volver†. In order to explain the importance of the concept of the â€Å"auteur† in European cinema, it is important first to define this concept, especially in the context of post-war filmmaking in Europe. The word auteur is actually a French word, this word actually means the 'author'.... According to film scholars, the concept of the auteur actually refers to the original idea of the French filmmaker Francois Truffaut (1932-1984), who in his manifesto â€Å"The Policy of Auteurs,† declared that â€Å"Cinema as an art made by a filmic artist and not by a writer,† wherein the filmic artist, or the filmmaker, is actually the auteur (â€Å"Truffaut’s manifesto: La Politique des Auteurs† n. p.). In this case, then, the concept of the auteur actually emphasizes the role of the filmmaker (or the director in that case), in the creation of the film itself, wherein the film is actually a creative product of the auteur (the filmmaker); also, it then follows that films actually represent the filmmakers actual creative vision (â€Å"Truffaut’s manifesto: La Politique des Auteurs† n. p.). In this case, in the treatise of Truffaut, he actually argues that despite the involvement of film in an industrial or commercial process, wherein elemen ts of the studio may heavily determine the outcome of the film; but the theory of auteur still actually holds that the creative voice (or the creative elements) of the film still actually shines out, and this come from the artistic and creative viewpoint of the auteur (â€Å"Truffaut’s manifesto: La Politique des Auteurs† n. p.). In this case, the theory of â€Å"auteurism† actually came out from this concept, wherein films can actually be analyzed or understood according to the different characteristics and themes of the auteur, and wherein common themes of the auteur can actually be identified with his works (â€Å"Truffaut’s manifesto: La Politique des Auteurs† n. p.). In fact, the concept of the auteur actually contributed much to the development of post

K Assignment Example | Topics and Well Written Essays - 500 words - 1

K - Assignment Example Hence, it ought to have a somehow general title but still emphasizing on its capability that differentiates with other hybrids. For instance, â€Å"Ford Fiesta is now higher by 40 Highway miles and comfort than the same hybrid cars.† The illustration is quite catchy and as somehow targets the youth populace. The color used is favorable to both sexes. The green color is a shouting choice to many thus being effective as it attracts the attention of the readers. The fuel gauge has also been illustrated and it exemplifies FF is quite economical based on fuel consumption. The limitation evident in the illustration is that the interior design of the FF was not shown. It would have enhanced the effectiveness of the ad. FF stands out amongst other hybrids of its level because of the thoughtful engineering touch. This message is evident in the body and it has added strength to the advert for it motivates clients to find out more about the FF where the body copy mentions the vehicle minimizes fuel consumption. This is true since it has a fuel consumption of up to 65.7mpg, which is low thus the car is more efficient considering it can cover many miles. To add on, it has an effective 1.0-liter 3 cylinder class-leading petrol engine, hence does not compromise matters of performance and power while ensuring that it economizes on fuel. The only limitation is that the body leaves out critical information about FF such as those on safety. The design of FF is quite spectacular for it has a stylish design both outside and inside. The headlamps outside are sleek and the tailamps at the rear hatch beautifully sculpted. The illustration has succeeded in indicating the outside design of the FF but has left out the interior. The ad is effective starting from the choice of headline. The headline is bound to attract the attention of the readers. The color of the illustration is also one that will attract